The Draw A Dot. x Caitlin Power x KENTON Magazine illustration contest is finally over and we have crowned Marta Spendowska as the winner. Today, it's my pleasure to do a special feature on her and her works on this site!
Hello Marta! Once again, I want to congratulate you on winning the illustration contest! Now I have a few questions to ask you. First, how did you get into the illustration industry? Which illustrators do you look up to?
I’ve been working with design professionally since 2009 (in a web+print department, on my own since 2010), but illustration started showing up more often on my doorsteps around 2011.
I have to say that few personal circumstances led me to pick up my brush more and more, to vent, heal and go inward. I started sharing my work online and selling few pieces here and there, but after being featured on few major blogs like Design For Mankind and Illustration Age, I’ve decided to look closer at what I really want to do.
I grew up in Poland, not visualising myself working in the art/illustration department, because Poland is a tough cookie and you don’t have these kind of plans. So, the dream of illustrating was put on the shelf for a long time. Once I got some nice feedback and attention I pushed myself more towards the area that I truly enjoy and am good at. I hope that 2014 is going to be my 100% full time illustration year (with hardly any web design). I’m also looking for a lovely Art Rep, so this is my open call for partnering!
I love the work of artists and illustrator who are a bit far away from my style, like Howard Tangye.
I adore Stina Persson for her use of watercolors.
My breath is taken away by the works of Olaf Hajek and Rex Ray.
Showing posts with label [Un]Discovers. Show all posts
Showing posts with label [Un]Discovers. Show all posts
Thursday, August 15, 2013
Friday, November 9, 2012
[Un]Discovers: FASHGIF
Animated gif is not new but using this medium to promote fashion is very refreshing and cool. Recently I have come across a tumblr site called FASHGIF and it has blown my mind. Greta Larkins, the mastermind behind this successful site, has created exclusive gifs for Vogue Homme Japan and Calvin Klein and her site has attracted a lot of fashion followers. Today, I have the honour to ask her some questions about her tumblr and I am happy to say she has also created 2 amazing gifs for one of my favourite brands in Canada, Caitlin Power.
Hi Greta, it's great to have you here on the site today! First off, do you mind to give a little background about yourself?
For the last few years I've been working for a jewellery and accessories wholesaling company. Basically my job consists of a few things, mainly trend forecasting and reworking/redesigning product. Essentially I just sit in front of Photoshop all day! At this stage I am not studying, so I do find myself doing as much research online as I can and trying to learn as much as possible.
Photo by Raymond Chow
Created by Greta Larkins
Hi Greta, it's great to have you here on the site today! First off, do you mind to give a little background about yourself?
For the last few years I've been working for a jewellery and accessories wholesaling company. Basically my job consists of a few things, mainly trend forecasting and reworking/redesigning product. Essentially I just sit in front of Photoshop all day! At this stage I am not studying, so I do find myself doing as much research online as I can and trying to learn as much as possible.
Thursday, July 19, 2012
[Un]Discovers: Tara Krebs
I still remember few months ago I was at an art expo exhibition and I came across Tara Krebs' works. That instantly moment, my heart just skipped a beat. The reason? I think her works are truly what illustration is about: imaginary, twisted and surreal. Today, it's my pleasure to have her here and answer few of my questions. Please enjoy the imaginary world of Tara Krebs!
Hi Tara, thank you so much for letting me to feature you on here this week. I am still mesmerized by your works and today, I do have some questions to ask you. So, why were you attracted to the illustration industry? If you weren't an illustrator, what kind of job do you think you would have?
I consider myself more of a painter right now, but I am definitely going to do more illustration in the future. I never really let go of the attraction I had to picture books. When I was a child, I definitely judged a book by its cover. If I didn't like the imagery, colours, layout, I wouldn't read it because I found I couldn't get lost in it the way I could with those I was drawn to. Or maybe I was just a little snob!
If I wasn't an artist, I probably would have done something nature or animal related. Dian Fossey was my idol growing up. I wanted to move to Africa to study gorillas and continue her legacy. I also dreamed of being an actress. I had no desire for the fame part that comes with it. I just wanted to step into and transform into different people/space aliens the way I did with my friends on the playground.. Primatologist/actor. That was the plan.
That's interesting! I would definitely want you to become an actress so I could see you in alien outfit. I think that would be interesting. Let's get back to your illustrations right now. How will you describe your illustration style? What is the specific element you have that sets you apart from other illustrators?
Oh man, that's always the hardest thing for me. I have trouble placing my work (and the work of others) in a specific category, because I don't think it's always that cut and dried. I've had my work described by others as pop-surrealist, lowbrow, illustrative, and "Wow Tara, that's weird."
The scale of my pieces are often quite small and intensely detailed. People are always surprised when they see it in person because I think it is a much more intimate experience than when you view it on a computer screen. The themes I explore -such as our connection to nature, the imagination, and adventures of children- are not unique subjects, but mine come from my own personal experiences, feelings and memories.
"Wow Tara, that's weird" is probably my favourite description of your style and I think I will use this phrase from now on! I really enjoy exploring your imaginary illustration world. In your own words, how will you describe this world? Do you think modern technology would exist in this imaginary world?
This world is for the most part vast and open, but not barren. It's a stark contrast and escape from the city-dwelling world that I live in, closely surrounded by concrete, pollution, towering rectangular structures, and geometric shapes. It's somewhere that I/you can escape from this world and breath a deep long breath. I don't like to give too much away, as I employ my viewers to reach into this place and find their own stories within it. It is a public world that I invite people into to build their own narratives within. If your vision of this space happens to have modern technology associated with it, then I think that is appropriate because it means you're using your imagination to find something meaningful within the work.
I would say technology does not involve in your imagination world because everything subject and object you illustrate are more or less from the nature. Whenever I look at your works, I feel like I am sucked into a twisted fairytale world. Well, out of all the works you have done so far, which piece can fully represent your illustration world? Why?
I suppose they all do in their own different ways. Each piece is like a little puzzle piece that comes together to slowly tell you a story about a place. I'm doing a lot of paintings right now with themes of children on journeys (for example, The Mission is What Matters). I think these pieces strike a deeper chord with me because of my vivid recollections of the fantasy roleplay I used to indulge in as a little one. I have a terrible memory, which is really unfortunate. Not only because I keep setting different passwords for everything and then can't remember what they are(why do I keep doing this? Why don't I just have one??!), but because I wish I could remember more of my life. But memories of playing -not necessarily who I was with, but of who I'd become, and how deep into that world I could get- these memories keep coming back to me, more and more as I dig deeper into the world of my art.
I have to agree each piece actually represents part of your evolution and honestly, if I were you, I would not be able to pick my favourite piece either. Speaking of your works, what was the strangest comment you have ever received from people?
Someone gave me the strangest (albeit positive...I think)critique at a recent show that was so bizarre and abstract that I can't even quote it. But I love that sort of thing. There was also a small child who wanted to talk about my work one time. His face got all serious and he kept zipping back and forth from piece to piece talking about the connections between everything in nature. He was like "Yeah, I totally get it". It was awesome.
Hey, I think I will have to meet that small child since I want to know his insights on your works! Last but not least, if you could create the ultimate creature, what kind of animal's features would it have?
I think it would just sort of look like planet Earth. Also, it would have mushrooms growing out of it's butt.
Mountains or Sea?
Is this about which I prefer? I guess mountains. I am terrified of the sea. Who knows what's down there.
Owl or Dolphin?
Owldolphin
Green or Blue?
Both. They're my 2 favourite colours!
Pancake or French Toast?
I'm supposed to stay away from wheat.....But I don't! Pancakes!
Wood or Canvas ?
Wood
Toronto or Vancouver?
I haven't been to Vancouver yet, but I hear it's lovely.
Chocolate or Candy?
You know, I don't really like either! I guess if I had a favourite though, it would be those green sour apple rings.
Orange Juice or Lemonade?
Lemonade
Moleskine or iPad?
I prefer my dog-earred sketchbook and the occasional napkin.
Pencil or Pen?
Both :)
Thank so much to Tara for taking her time to answer my questions today. I am hoping I will be able to see more of her new works soon! All images are courtesy of Tara Krebs and you can visit her website to see more works from her.
Hi Tara, thank you so much for letting me to feature you on here this week. I am still mesmerized by your works and today, I do have some questions to ask you. So, why were you attracted to the illustration industry? If you weren't an illustrator, what kind of job do you think you would have?
I consider myself more of a painter right now, but I am definitely going to do more illustration in the future. I never really let go of the attraction I had to picture books. When I was a child, I definitely judged a book by its cover. If I didn't like the imagery, colours, layout, I wouldn't read it because I found I couldn't get lost in it the way I could with those I was drawn to. Or maybe I was just a little snob!
If I wasn't an artist, I probably would have done something nature or animal related. Dian Fossey was my idol growing up. I wanted to move to Africa to study gorillas and continue her legacy. I also dreamed of being an actress. I had no desire for the fame part that comes with it. I just wanted to step into and transform into different people/space aliens the way I did with my friends on the playground.. Primatologist/actor. That was the plan.
That's interesting! I would definitely want you to become an actress so I could see you in alien outfit. I think that would be interesting. Let's get back to your illustrations right now. How will you describe your illustration style? What is the specific element you have that sets you apart from other illustrators?
Oh man, that's always the hardest thing for me. I have trouble placing my work (and the work of others) in a specific category, because I don't think it's always that cut and dried. I've had my work described by others as pop-surrealist, lowbrow, illustrative, and "Wow Tara, that's weird."
The scale of my pieces are often quite small and intensely detailed. People are always surprised when they see it in person because I think it is a much more intimate experience than when you view it on a computer screen. The themes I explore -such as our connection to nature, the imagination, and adventures of children- are not unique subjects, but mine come from my own personal experiences, feelings and memories.
"Wow Tara, that's weird" is probably my favourite description of your style and I think I will use this phrase from now on! I really enjoy exploring your imaginary illustration world. In your own words, how will you describe this world? Do you think modern technology would exist in this imaginary world?
This world is for the most part vast and open, but not barren. It's a stark contrast and escape from the city-dwelling world that I live in, closely surrounded by concrete, pollution, towering rectangular structures, and geometric shapes. It's somewhere that I/you can escape from this world and breath a deep long breath. I don't like to give too much away, as I employ my viewers to reach into this place and find their own stories within it. It is a public world that I invite people into to build their own narratives within. If your vision of this space happens to have modern technology associated with it, then I think that is appropriate because it means you're using your imagination to find something meaningful within the work.
I would say technology does not involve in your imagination world because everything subject and object you illustrate are more or less from the nature. Whenever I look at your works, I feel like I am sucked into a twisted fairytale world. Well, out of all the works you have done so far, which piece can fully represent your illustration world? Why?
I suppose they all do in their own different ways. Each piece is like a little puzzle piece that comes together to slowly tell you a story about a place. I'm doing a lot of paintings right now with themes of children on journeys (for example, The Mission is What Matters). I think these pieces strike a deeper chord with me because of my vivid recollections of the fantasy roleplay I used to indulge in as a little one. I have a terrible memory, which is really unfortunate. Not only because I keep setting different passwords for everything and then can't remember what they are(why do I keep doing this? Why don't I just have one??!), but because I wish I could remember more of my life. But memories of playing -not necessarily who I was with, but of who I'd become, and how deep into that world I could get- these memories keep coming back to me, more and more as I dig deeper into the world of my art.
I have to agree each piece actually represents part of your evolution and honestly, if I were you, I would not be able to pick my favourite piece either. Speaking of your works, what was the strangest comment you have ever received from people?
Someone gave me the strangest (albeit positive...I think)critique at a recent show that was so bizarre and abstract that I can't even quote it. But I love that sort of thing. There was also a small child who wanted to talk about my work one time. His face got all serious and he kept zipping back and forth from piece to piece talking about the connections between everything in nature. He was like "Yeah, I totally get it". It was awesome.
Hey, I think I will have to meet that small child since I want to know his insights on your works! Last but not least, if you could create the ultimate creature, what kind of animal's features would it have?
I think it would just sort of look like planet Earth. Also, it would have mushrooms growing out of it's butt.
------------------------------------
Now it's time to ask Tara some trivia questions!Mountains or Sea?
Is this about which I prefer? I guess mountains. I am terrified of the sea. Who knows what's down there.
Owl or Dolphin?
Owldolphin
Green or Blue?
Both. They're my 2 favourite colours!
Pancake or French Toast?
I'm supposed to stay away from wheat.....But I don't! Pancakes!
Wood or Canvas ?
Wood
Toronto or Vancouver?
I haven't been to Vancouver yet, but I hear it's lovely.
Chocolate or Candy?
You know, I don't really like either! I guess if I had a favourite though, it would be those green sour apple rings.
Orange Juice or Lemonade?
Lemonade
Moleskine or iPad?
I prefer my dog-earred sketchbook and the occasional napkin.
Pencil or Pen?
Both :)
Thank so much to Tara for taking her time to answer my questions today. I am hoping I will be able to see more of her new works soon! All images are courtesy of Tara Krebs and you can visit her website to see more works from her.
Thursday, July 5, 2012
[Un]Discovers: Maruka Caleis
Maruka Caleis is a very special illustrator. It was the ladies she illustrated caught my first attention. Then, when I look at her works again, her photography element has really brought freshness to the illustration pieces. Today, I am going to bring you into the world of Maruka Caleis by asking her some interesting questions.
Hello Maruka, it's my pleasure to have you on à la mode today. Let me start off the interview with the following question. What made you want to be in the illustration industry? Were you under any formal training before entering this industry?
I had been wanting to draw since when I was small, but I was trained in Law and spent many years without picking up a pencil. I thought it was too late to think about a creative career, but my interest in transpersonal psychology and active meditation took me back to drawing about two years ago. Since then, I started to draw and showed my works to the world. Now it has become part of my life.
I had been wanting to draw since when I was small, but I was trained in Law and spent many years without picking up a pencil. I thought it was too late to think about a creative career, but my interest in transpersonal psychology and active meditation took me back to drawing about two years ago. Since then, I started to draw and showed my works to the world. Now it has become part of my life.
Thursday, May 24, 2012
[Un]Discovers: Alex Mathers
Twitter is an awesome place when you want to meet artists around the world. Recently I have been following an illustrator named Alex Mathers and I really like his simple and neat illustrations. Today, it is my pleasure to have him on [Un]Discovers and I am sure this interview will benefit a lot of people who want to get into the illustration industry.
Hello Alex, thanks for letting me to feature you on my blog this week. So, what made you want to become an illustrator? Do you think you would still work in the arts field if you didn't pick illustrator as your career path?
I've always been interested in art and drawing, but it wasn't until I completed two university degrees that I chose to do some illustration on the side, which has now turned into an almost full time career. I may well have been working in property development if there were more jobs available in 2009!
Property development? That's really opposite of what you are doing right now and I hope you are enjoying this illustrator career path. I know you were originally from London, UK and now living in Tokyo. Is the illustration industry different in Tokyo than London?
The illustration community in London seems to be one of the strongest and most thriving, though I think things are growing and expanding in Tokyo too. There are lots of exhibitions and art events here, so there is plenty to do and see for creatives and illustrators, especially with Japan's strong heritage of manga and illustration.
I am always a fan of manga and I think this is something no other country can do better than Japan. Now let's get back to your works. How will you describe your illustration style? What is the specific element you have that sets you apart from other illustrators?
My style could be described as clean and simple, though occasionally detailed. As silly as it sounds, I'm hugely inspired by the zen philosophy in the way I design, which views the space around objects as important as the objects themselves. I suppose my attention and care to every detail, especially colour, is what sets it apart.
I have never heard of illustrators using the zen philosophy to backup their styles and I think this is very refreshing! Well, out of all the works you have done so far, which one is your favourite? Why is that?
I like to think my favourite is always the last piece I have created, because I'm always aiming to improve and hone my style, though my current favourite would be 'Kidney Island' because I'm happy with the balance between detail, simplicity and colour in that one.
My favourite work from you will always be the Snow Apes Portrait. I just find the apes to be very funny and I love the colour combination! So aside from your personal site, I know you also run two sites called Red Lemon Club and Ape On The Moon, can you give a brief description of each site?
Ape on the Moon seeks to support quality artists through sharing exemplary visual art as far and wide as possible. Red Lemon Club shares information for creative people who want to improve and continue to be motivated doing what they do.
I hope my readers will book mark the above sites as I know both sites can benefit the illustrators if they want to survive in this industry. Last but not least, if you could create an advertising campaign for any company in the world, which one would you choose and what kind of concept would you have in mind?
Nice question. I'd choose to create artwork for one of the major environmental-related organisations such as National Geographic (a childhood favourite) with a concept centering around depicting an environmental or geographical marvel in my own style.
PC or Mac?
Mac
Car or Bike?
Bike
Pink or Gold?
Gold
Pancake or French Toast?
Pancake
Sea or Mountain?
Mountain
Mickey or Garfield?
Garfield
London or Tokyo?
Both!
Orange Juice or Lemonade?
Orange Juice
Red or Blue?
Blue
Dragon or Phoenix?
Dragon
Thank you so much to Alex for answering my questions and I look forward to seeing more great illustrations from him in the future. All images are courtesy of Alex Mathers. You can visit his personal website to see more of his works.
Alpine Bear
Hello Alex, thanks for letting me to feature you on my blog this week. So, what made you want to become an illustrator? Do you think you would still work in the arts field if you didn't pick illustrator as your career path?
I've always been interested in art and drawing, but it wasn't until I completed two university degrees that I chose to do some illustration on the side, which has now turned into an almost full time career. I may well have been working in property development if there were more jobs available in 2009!
Lone Wolf
Property development? That's really opposite of what you are doing right now and I hope you are enjoying this illustrator career path. I know you were originally from London, UK and now living in Tokyo. Is the illustration industry different in Tokyo than London?
The illustration community in London seems to be one of the strongest and most thriving, though I think things are growing and expanding in Tokyo too. There are lots of exhibitions and art events here, so there is plenty to do and see for creatives and illustrators, especially with Japan's strong heritage of manga and illustration.
Continental Shelf
I am always a fan of manga and I think this is something no other country can do better than Japan. Now let's get back to your works. How will you describe your illustration style? What is the specific element you have that sets you apart from other illustrators?
My style could be described as clean and simple, though occasionally detailed. As silly as it sounds, I'm hugely inspired by the zen philosophy in the way I design, which views the space around objects as important as the objects themselves. I suppose my attention and care to every detail, especially colour, is what sets it apart.
Volcanic Secret
I have never heard of illustrators using the zen philosophy to backup their styles and I think this is very refreshing! Well, out of all the works you have done so far, which one is your favourite? Why is that?
I like to think my favourite is always the last piece I have created, because I'm always aiming to improve and hone my style, though my current favourite would be 'Kidney Island' because I'm happy with the balance between detail, simplicity and colour in that one.
Kidney Island
My favourite work from you will always be the Snow Apes Portrait. I just find the apes to be very funny and I love the colour combination! So aside from your personal site, I know you also run two sites called Red Lemon Club and Ape On The Moon, can you give a brief description of each site?
Ape on the Moon seeks to support quality artists through sharing exemplary visual art as far and wide as possible. Red Lemon Club shares information for creative people who want to improve and continue to be motivated doing what they do.
Snow Apes Portrait
I hope my readers will book mark the above sites as I know both sites can benefit the illustrators if they want to survive in this industry. Last but not least, if you could create an advertising campaign for any company in the world, which one would you choose and what kind of concept would you have in mind?
Nice question. I'd choose to create artwork for one of the major environmental-related organisations such as National Geographic (a childhood favourite) with a concept centering around depicting an environmental or geographical marvel in my own style.
Treetop Canopy
------------------------------------
It's trivia questions time!PC or Mac?
Mac
Car or Bike?
Bike
Pink or Gold?
Gold
Pancake or French Toast?
Pancake
Sea or Mountain?
Mountain
Lost Bears
Mickey or Garfield?
Garfield
London or Tokyo?
Both!
Orange Juice or Lemonade?
Orange Juice
Red or Blue?
Blue
Dragon or Phoenix?
Dragon
Thank you so much to Alex for answering my questions and I look forward to seeing more great illustrations from him in the future. All images are courtesy of Alex Mathers. You can visit his personal website to see more of his works.
Thursday, May 10, 2012
[Un]Discovers: Natalia Grzybowski
Last week, I showed you Natalia Grzybowski's amazing Hybrid collection and I am sure a lot of you are mesmerized by the pieces. Today, I am honoured to have Natalia to be my guest and answer some of my questions regarding her as a fashion designer!
Hi Natalia, it's my pleasure to have you on the [Un]Discovers today! I have prepared some questions for you and now, let's start with the simple one: What was the main reason why you wanted to study fashion?
It’s just something that naturally came about – my mind and instinct have led me here. I take interest in various design fields, but I find the fashion process to be quite hands on which I like. I love creating beautiful and interesting bodies of work and I want that to be accessible to people. Fashion fulfils me!
Courtesy of Patrick Mcgreal for StyleMeRomy.com
Hi Natalia, it's my pleasure to have you on the [Un]Discovers today! I have prepared some questions for you and now, let's start with the simple one: What was the main reason why you wanted to study fashion?
It’s just something that naturally came about – my mind and instinct have led me here. I take interest in various design fields, but I find the fashion process to be quite hands on which I like. I love creating beautiful and interesting bodies of work and I want that to be accessible to people. Fashion fulfils me!
Courtesy of Natalia Grzybowski
Thursday, April 26, 2012
[Un]Discovers: Kay Kwok
Kay Kwok, one of the menswear designers I have my eyes on ever since I visited the University of Arts London website. The amazing print that involves shade and light has really pushed the digital print envelope and I cannot stop thinking abut one of the suits. Today is a very lucky day for me as I have the opportunity to feature this amazing talent on this site. Now let's learn more about Kay and his brand!
Hi Kay, thanks for letting me to feature on [Un]Discovers this week. So to start off this interview, let me start with this question: I know you have studied in Hong Kong Polytechnic University before, what made you want to go to University of Arts London to continue your master degree?
It was a wield story, it was my dream to study abroad; however, I didn't think I would do it. One day, a friend of mine told me that the course director from London came to Hong Kong for to interview some Hong Kong fashion design students. At that time, my friend was accepted and she told me that the result would be announced right after the interview. How excited was that! For me to attend the interview was a way to examine my ability and see if I was qualified to be a MA Level fashion design student. Well, in the end, I got the offer and studied menswear design in LCF.
Hi Kay, thanks for letting me to feature on [Un]Discovers this week. So to start off this interview, let me start with this question: I know you have studied in Hong Kong Polytechnic University before, what made you want to go to University of Arts London to continue your master degree?
It was a wield story, it was my dream to study abroad; however, I didn't think I would do it. One day, a friend of mine told me that the course director from London came to Hong Kong for to interview some Hong Kong fashion design students. At that time, my friend was accepted and she told me that the result would be announced right after the interview. How excited was that! For me to attend the interview was a way to examine my ability and see if I was qualified to be a MA Level fashion design student. Well, in the end, I got the offer and studied menswear design in LCF.
Labels:
[Un]Discovers,
Kay Kwok,
menswear
Thursday, April 5, 2012
[Un]Discovers: Chi Yuen
Sometime ago I wrote an entry about a debut collection from Chi Yuen and ever since that day, readers have been asking me information about this talented emerging designer. I am very fortunate to be able to get in touch with Cherry so today, you are going to learn more about her in this edition of [Un]Discovers.
Hello Cherry, thank you so much for letting me to feature you on this site this week. So, what made you want to become a shoe designer? What is the philosophy behind your brand?
As long as I could remember I have always been specific about shoes. Before I started kindergarten, my parents took me shoe shopping and I couldn’t find any shoes that I would wear. My father ended up painting black a pair of my red leather Mary Jane shoes (they had bows on them and I worn them everyday when I was that age) so I could wear them as part of my uniform. I think stubbornness for style and quality motivate me to become a designer.
A good design is a combination of simplicity with innovative ideas executed in high quality production using luxurious materials.
Photographer- Andrei Zach
Hello Cherry, thank you so much for letting me to feature you on this site this week. So, what made you want to become a shoe designer? What is the philosophy behind your brand?
As long as I could remember I have always been specific about shoes. Before I started kindergarten, my parents took me shoe shopping and I couldn’t find any shoes that I would wear. My father ended up painting black a pair of my red leather Mary Jane shoes (they had bows on them and I worn them everyday when I was that age) so I could wear them as part of my uniform. I think stubbornness for style and quality motivate me to become a designer.
A good design is a combination of simplicity with innovative ideas executed in high quality production using luxurious materials.
Photographer- Alejandro Cavallo
Thursday, March 29, 2012
[Un]Discovers: Georges le Mercenaire
Georges le Mercenaire is one of the illustrators I admire recently. His Koopa Classic Party has been one of my favourite series in the recent months as he uses his surreal illustration style to create his own version of Mario Bros. This week, I am lucky to have Georges as my featured artist of the week!
Hello Georges, I am glad to have you on my latest edition of [Un]Discovers. So, how did you get into the illustration industry?
I was probably influenced by my friends to get into this industry. I have started by doing posters for theatres or for parties. After a lot of collaborations with diferent little fashion brands and other jobs, I had landed a free lance job working for Lacoste.
Hello Georges, I am glad to have you on my latest edition of [Un]Discovers. So, how did you get into the illustration industry?
I was probably influenced by my friends to get into this industry. I have started by doing posters for theatres or for parties. After a lot of collaborations with diferent little fashion brands and other jobs, I had landed a free lance job working for Lacoste.
Thursday, March 22, 2012
[Un]Discovers: Sixlee by Six Lee
Yesterday I showed you Sixlee F/W 2012 collection and I am sure you all are drooling over those pieces right now. Today, I am going to have the brand's designer, Six Lee, to be under my spotlight and in this interview, you will get to know more about this emerging menswear brand. Yes, he is a very awesome designer.
Hello Six, it's great to have you here today and you should know by now I am a huge fan of your brand! So, what made you want to become a fashion designer? What was your experience like when studying at Royal Academy of Arts Antwerp?
I remember after finishing high school, I had a period where I didn't really know what I would like to do or what I could do. I always liked Japanese Fashion and Magazine when I was young, so I said to myself: why not starting something with fashion? I would like to think of my four years at the academy as an education of myself: a constant process of absorbing different ideas, backgrounds and influences, combining them and finally elaborating them; a process in which I became ever more open to new and fresh directions for men’s tailoring. I dare to say the strong work ethos at the academy made me a richer person in every thinkable way. At the academy I learned how to work autonomously and how to translate my global ideas and thoughts into a perfectly balanced silhouette. The steady stream of new emotions and impressions got reshaped in my designs in a rational and creative way.
Hello Six, it's great to have you here today and you should know by now I am a huge fan of your brand! So, what made you want to become a fashion designer? What was your experience like when studying at Royal Academy of Arts Antwerp?
I remember after finishing high school, I had a period where I didn't really know what I would like to do or what I could do. I always liked Japanese Fashion and Magazine when I was young, so I said to myself: why not starting something with fashion? I would like to think of my four years at the academy as an education of myself: a constant process of absorbing different ideas, backgrounds and influences, combining them and finally elaborating them; a process in which I became ever more open to new and fresh directions for men’s tailoring. I dare to say the strong work ethos at the academy made me a richer person in every thinkable way. At the academy I learned how to work autonomously and how to translate my global ideas and thoughts into a perfectly balanced silhouette. The steady stream of new emotions and impressions got reshaped in my designs in a rational and creative way.
Labels:
[Un]Discovers,
menswear,
Six Lee,
sixlee
Thursday, March 15, 2012
[Un]Discovers: kielo;
So far you have seen the look book of kielo; first collection and today I am honoured to present you this interview I have with two amazing designers. Also, you will get to see the editorial images and images of their inspirations. Trust me, you will want to read it because you know these two designers will go big!
Hi Yuta and Erika, I just want to say congratulations on kielo; 's first collection. The collection is amazing and I am amazed by it. So, what made you two want to work together on a collection?
In answering this question, we’d like to talk about our background a little. Erika and I met while studying fashion design at the prestigious Royal Academy of Fine Arts Antwerp. After the 2nd year, we were provided with the opportunity to showcase our work during the fashion week in Zurich (Switzerland), for a show called Kostume, which is intended for young and upcoming designers like ourselves. In participating, we decided to create a capsule collection together that includes both men and women’s wear.
So Kostume is the catalyst that puts you two together and create this capsule collection! Well, how did you come up with “kielo;”? What does the word “kielo;” mean?
Kielo represents the vision and aesthetics of Erika and I, as designers. We both adore and are greatly inspired by the Nordic culture, so we wanted to name our label after something related to the culture. “Kielo” is a Finnish word, which means “lily of the valley”. We liked the way the word “kielo” sounds, and were also attracted to the silent and subtle beauty of the flower. The semi-colon at the end of kielo is intended to indicate the idea that we want to link people with unique style and aesthetics as one through our brand artistically, just like how a semi-colon links related clauses together in a sentence.
Wow, if you didn't tell me that, I would never get the meaning of the ; behind the word. I like when a brand name has a story to tell, just like yours. Now let's get back to the collection, what is the inspiration of it?
At first, we didn’t really have any concrete idea of what the collection was going to be about, but we just had a rather vague idea that we wanted to use products of nature and to celebrate its beauty. We started gathering images of stones, minerals, pearls, stars, glaciers, and colors that were produced by nature in landscapes.
I think it was during this time that we saw two Japanese anime films, “Princess Mononoke” and “Nausicaa of the Valley of Wind” by Hayao Miyazaki, and we were greatly inspired by the protagonists in both films who are human beings who strive to coexist with nature and its rules, rather than attempting to conquer it. In both Miyazaki films, human civilization and its advancement in technology creates a conflict between nature and human beings, due to greed. Inspired by the storyline, we imagined a scientist who is obsessed with the idea of controlling nature, but gradually learns to lead a harmonic life with nature by celebrating its beauty. Interpreting science as a means to decode the mystery of nature and to reproduce or to control natural phenomena, we looked to the ancient Greek astronomers and the way they dressed for inspiration, as the Greeks have had a long history in the investigation in the field of natural science.
We eventually broadened garment reference to Greek ethnical costumes, and incorporated shapes, volumes, details, and styling from them. In modernizing the traditional costumes, we used a wide range of color palettes and prints, inspired by products of nature. Especially for the prints, we made them into a kaleidoscopic view to suggest the astronomer’s perspective of nature. Detail wise, the cuts of the garments are liner and sharp, which are details extracted from star signs, and the majority of items have almost no visible fastening, as they are concealed by fly fronts. Skirt-like trousers and voluminous shapes for men’s garments were interesting elements we found in Greek costumes and incorporated.
The collection starts off by a total black look, with little skin exposure, but gradually the color palette lightens up and there is more sheerness in the fabrics toward the end, suggesting the change in the astronomer’s physical and psychological state.
Judging from the inspiration photos, I am fascinated to see how you two have turned those ideas into a great collection. This is truly inspiring! Was there any difficulty when creating this collection?
For one thing, there wasn’t any difficulty working together as a duo designer at all, as we have an amazing chemistry between the two of us. However, there were technical challenges that we had to face. Since our team currently comprises of only the two of us, we really had to do everything from zero to ten, all by ourselves. We not only designed the outfits, but we also made all the patterns, stitched them, designed and ordered prints, created all accessory pieces, and managed communication with various people (e.g. the organizers of the fashion show, photographers, stylists, models etc.) in reaching the final product. So many times during the process of the collection, we wished we had an assistant, at least for the management and communication side of the label! Nonetheless, we learned so much from our experience, which would no doubt be gainful for us as professional in the future.
It's amazing to see how much you two have achieved with this collection and I hope soon you two will have team to work for kielo;. So, which pieces (1 from menswear and 1 from womenswear) can best represent your collection? Why?
As we have explained earlier, the collection forms one whole story with all eight outfits together, so it’s not possible to pick out one particular outfit and speak about its significance. It would be like tearing out a page from a novel and trying to make sense out of it.
Yep, I totally understand that and I think kielo; has 8 very solid and beautiful pieces. They are so dreamy! What is the future plan of kielo;?
We hope to expand our collection and label in terms of size. We are really starting from zero straight out of school, so we find it important to build upon the foundation of our label, both financially and systematically in order to realize our vision as designers. At the moment we are based in Tokyo, Japan, but in the near future we hope to return to Europe again, as there are more opportunities and support for young and aspiring designers. Japan is a bit too bureaucratic and tradition-oriented for young artists to work and express themselves freely.
I really hope kielo; will break into the Europe scene and yes, I can vision that happen since you two have a very European style. Will you two continue to work on new collections for kielo;?
We plan to continue to work together as a team in the future. Though we are a new-born label, we feel that our signature design/style is the fragile, poetic, dreamy, and dark romanticism reflected in our designs.
That's great to hear and I can't wait to see more amazing collections from you two! Last but not least, if you two could dress a celebrity/top model in Kielo Kielo, who would you choose? Why?
Since Erika designs women’s wear and I (Yuta) design men’s wear, we’d both like to answer this question separately.
Erika:
I don’t like to limit the wearer to a particular type of person, so instead I will say that I would love to see women of diverse nationality in my pieces. I’m interested in seeing the effect and result that can be obtained by dressing people of various skin color, hair color, eye color, religious and cultural background which are all beautiful products of the physical/cultural environment that they have spent their lives in. Of course I may propose certain ways of styling the outfits together in my collection, but I would love to see people combing them in their own way freely.
Yuta:
Though the inspiration for the collection may vary from one to another, I always have a man who at glance may look very withdrawn, fragile, and evanescent on the outside, but is very strong, confident, stable, and free-spirited in the inside in mind. I never find the traditional form of masculinity attractive. I believe that strength comes from within and a truly strong man does not have to show off. I like men who are androgynous and possess a sense of softness.
Encountering people who possess qualities of a young child and a mature grown-up coexisting inside them is so inspiring for me. I am often inspired by musicians, artists, and poets. I would love to collaborate and to dress people with artistic talents in other fields of art, and to exchange and share ideas with them.
This is the end of my introduction of kielo to you readers and I hope you will have Yuta Yajima and Erika Mizuno on your fashion agenda right now. I truly believe in their works and I wish them all the best in the future! All images are courtesy of kielo;.
Hi Yuta and Erika, I just want to say congratulations on kielo; 's first collection. The collection is amazing and I am amazed by it. So, what made you two want to work together on a collection?
In answering this question, we’d like to talk about our background a little. Erika and I met while studying fashion design at the prestigious Royal Academy of Fine Arts Antwerp. After the 2nd year, we were provided with the opportunity to showcase our work during the fashion week in Zurich (Switzerland), for a show called Kostume, which is intended for young and upcoming designers like ourselves. In participating, we decided to create a capsule collection together that includes both men and women’s wear.
So Kostume is the catalyst that puts you two together and create this capsule collection! Well, how did you come up with “kielo;”? What does the word “kielo;” mean?
Kielo represents the vision and aesthetics of Erika and I, as designers. We both adore and are greatly inspired by the Nordic culture, so we wanted to name our label after something related to the culture. “Kielo” is a Finnish word, which means “lily of the valley”. We liked the way the word “kielo” sounds, and were also attracted to the silent and subtle beauty of the flower. The semi-colon at the end of kielo is intended to indicate the idea that we want to link people with unique style and aesthetics as one through our brand artistically, just like how a semi-colon links related clauses together in a sentence.
Wow, if you didn't tell me that, I would never get the meaning of the ; behind the word. I like when a brand name has a story to tell, just like yours. Now let's get back to the collection, what is the inspiration of it?
At first, we didn’t really have any concrete idea of what the collection was going to be about, but we just had a rather vague idea that we wanted to use products of nature and to celebrate its beauty. We started gathering images of stones, minerals, pearls, stars, glaciers, and colors that were produced by nature in landscapes.
I think it was during this time that we saw two Japanese anime films, “Princess Mononoke” and “Nausicaa of the Valley of Wind” by Hayao Miyazaki, and we were greatly inspired by the protagonists in both films who are human beings who strive to coexist with nature and its rules, rather than attempting to conquer it. In both Miyazaki films, human civilization and its advancement in technology creates a conflict between nature and human beings, due to greed. Inspired by the storyline, we imagined a scientist who is obsessed with the idea of controlling nature, but gradually learns to lead a harmonic life with nature by celebrating its beauty. Interpreting science as a means to decode the mystery of nature and to reproduce or to control natural phenomena, we looked to the ancient Greek astronomers and the way they dressed for inspiration, as the Greeks have had a long history in the investigation in the field of natural science.
We eventually broadened garment reference to Greek ethnical costumes, and incorporated shapes, volumes, details, and styling from them. In modernizing the traditional costumes, we used a wide range of color palettes and prints, inspired by products of nature. Especially for the prints, we made them into a kaleidoscopic view to suggest the astronomer’s perspective of nature. Detail wise, the cuts of the garments are liner and sharp, which are details extracted from star signs, and the majority of items have almost no visible fastening, as they are concealed by fly fronts. Skirt-like trousers and voluminous shapes for men’s garments were interesting elements we found in Greek costumes and incorporated.
The collection starts off by a total black look, with little skin exposure, but gradually the color palette lightens up and there is more sheerness in the fabrics toward the end, suggesting the change in the astronomer’s physical and psychological state.
Judging from the inspiration photos, I am fascinated to see how you two have turned those ideas into a great collection. This is truly inspiring! Was there any difficulty when creating this collection?
For one thing, there wasn’t any difficulty working together as a duo designer at all, as we have an amazing chemistry between the two of us. However, there were technical challenges that we had to face. Since our team currently comprises of only the two of us, we really had to do everything from zero to ten, all by ourselves. We not only designed the outfits, but we also made all the patterns, stitched them, designed and ordered prints, created all accessory pieces, and managed communication with various people (e.g. the organizers of the fashion show, photographers, stylists, models etc.) in reaching the final product. So many times during the process of the collection, we wished we had an assistant, at least for the management and communication side of the label! Nonetheless, we learned so much from our experience, which would no doubt be gainful for us as professional in the future.
It's amazing to see how much you two have achieved with this collection and I hope soon you two will have team to work for kielo;. So, which pieces (1 from menswear and 1 from womenswear) can best represent your collection? Why?
As we have explained earlier, the collection forms one whole story with all eight outfits together, so it’s not possible to pick out one particular outfit and speak about its significance. It would be like tearing out a page from a novel and trying to make sense out of it.
Yep, I totally understand that and I think kielo; has 8 very solid and beautiful pieces. They are so dreamy! What is the future plan of kielo;?
We hope to expand our collection and label in terms of size. We are really starting from zero straight out of school, so we find it important to build upon the foundation of our label, both financially and systematically in order to realize our vision as designers. At the moment we are based in Tokyo, Japan, but in the near future we hope to return to Europe again, as there are more opportunities and support for young and aspiring designers. Japan is a bit too bureaucratic and tradition-oriented for young artists to work and express themselves freely.
I really hope kielo; will break into the Europe scene and yes, I can vision that happen since you two have a very European style. Will you two continue to work on new collections for kielo;?
We plan to continue to work together as a team in the future. Though we are a new-born label, we feel that our signature design/style is the fragile, poetic, dreamy, and dark romanticism reflected in our designs.
That's great to hear and I can't wait to see more amazing collections from you two! Last but not least, if you two could dress a celebrity/top model in Kielo Kielo, who would you choose? Why?
Since Erika designs women’s wear and I (Yuta) design men’s wear, we’d both like to answer this question separately.
Erika:
I don’t like to limit the wearer to a particular type of person, so instead I will say that I would love to see women of diverse nationality in my pieces. I’m interested in seeing the effect and result that can be obtained by dressing people of various skin color, hair color, eye color, religious and cultural background which are all beautiful products of the physical/cultural environment that they have spent their lives in. Of course I may propose certain ways of styling the outfits together in my collection, but I would love to see people combing them in their own way freely.
Yuta:
Though the inspiration for the collection may vary from one to another, I always have a man who at glance may look very withdrawn, fragile, and evanescent on the outside, but is very strong, confident, stable, and free-spirited in the inside in mind. I never find the traditional form of masculinity attractive. I believe that strength comes from within and a truly strong man does not have to show off. I like men who are androgynous and possess a sense of softness.
Encountering people who possess qualities of a young child and a mature grown-up coexisting inside them is so inspiring for me. I am often inspired by musicians, artists, and poets. I would love to collaborate and to dress people with artistic talents in other fields of art, and to exchange and share ideas with them.
This is the end of my introduction of kielo to you readers and I hope you will have Yuta Yajima and Erika Mizuno on your fashion agenda right now. I truly believe in their works and I wish them all the best in the future! All images are courtesy of kielo;.
Thursday, March 8, 2012
[Un]Discovers: Ryan Tandya
Recently I am attracted to an illustration series created by an illustrator named Ryan Tandya. I think his works are very whimsical and clean. As always, when I see an artist I like, I will want to have him/her on this site. For this week, it's my pleasure to have him on this site as I want to let my readers to know him more.
Hello Ryan, it's great to have you on [Un]Discover this week and let's start with this question - what made you want to be an illustrator? Were you under any formal training for illustration before you entered this industry?
As a child I was always fascinated by illustrated storybooks and cartoons, and I grew up reading comics and playing video games. I can't imagine a better life than working in the creative field I've been really comfortable with since I was small. I'm currently enrolled in a university in Surabaya, Indonesia majoring visual communication design. We had a brief introduction to illustration through a few classes back then on the early semesters.
Hello Ryan, it's great to have you on [Un]Discover this week and let's start with this question - what made you want to be an illustrator? Were you under any formal training for illustration before you entered this industry?
As a child I was always fascinated by illustrated storybooks and cartoons, and I grew up reading comics and playing video games. I can't imagine a better life than working in the creative field I've been really comfortable with since I was small. I'm currently enrolled in a university in Surabaya, Indonesia majoring visual communication design. We had a brief introduction to illustration through a few classes back then on the early semesters.
Thursday, February 23, 2012
[Un]Discovers: Stuart McLachlan
I am always a fan of paper art so when I first came across Stuart McLachlan's website, my heart just immediately fell in love with his works. Today, it is such an honour to have Stuart on this site and hopefully you will enjoy this Q&A session as much as I do.
Hi Stuart, it is my pleasure to interview you on this site as I am such a big fan of your paper art works. So can you tell me how did you get into paper art? Did you have any paper art training before you entered this industry?
Initially it was due to boredom actually,I have been woking as a freelance illustrator and was searching for a fresh approach to what I did. I was doing well but I didn't seem to be challenged as much as I could be by my work. I also was getting frustrated that my work was being more and more taken over by the computer and really yearned for doing more hand made artwork. While doing crafts at home one weekend with my young daughter, she inspired me to try something out. I really enjoyed what I was doing and the technique of paper seemed to be very natural to me, more so than any other technique I have tried before. I haven't ever had any previous paper art training, actually, I don't know where I would find such a course.
Hi Stuart, it is my pleasure to interview you on this site as I am such a big fan of your paper art works. So can you tell me how did you get into paper art? Did you have any paper art training before you entered this industry?
Initially it was due to boredom actually,I have been woking as a freelance illustrator and was searching for a fresh approach to what I did. I was doing well but I didn't seem to be challenged as much as I could be by my work. I also was getting frustrated that my work was being more and more taken over by the computer and really yearned for doing more hand made artwork. While doing crafts at home one weekend with my young daughter, she inspired me to try something out. I really enjoyed what I was doing and the technique of paper seemed to be very natural to me, more so than any other technique I have tried before. I haven't ever had any previous paper art training, actually, I don't know where I would find such a course.
Thursday, February 9, 2012
[Un]Discovers: Hana Pesut
This week, I want to us this space to introduce you a very talented Canadian photographer. Her name is Hana Pesut and I am addicted to one of her projects: Switcheroo. Today, it's my pleasure to share with you my interview with her.
Hi Hana, it's great to have you on our site this week and of course, I do have some questions for you. I know you are a self taught photographer. So what was the main reason you wanted to get into this arts field?
Looking back I guess it was something that I slowly got myself more and more interested in. I mean I always loved taking photos but I never thought of it as a career. I started as most people do, taking photos of friends and documenting life and then a few years ago a friend lent me her Hasselblad and that's when I really fell in love. The photos that I was able to take with that camera changed the way that I looked at everything. All of sudden everyday objects looked more beautiful and I wanted to photograph everything.
Hi Hana, it's great to have you on our site this week and of course, I do have some questions for you. I know you are a self taught photographer. So what was the main reason you wanted to get into this arts field?
Looking back I guess it was something that I slowly got myself more and more interested in. I mean I always loved taking photos but I never thought of it as a career. I started as most people do, taking photos of friends and documenting life and then a few years ago a friend lent me her Hasselblad and that's when I really fell in love. The photos that I was able to take with that camera changed the way that I looked at everything. All of sudden everyday objects looked more beautiful and I wanted to photograph everything.
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